www.needleinthegroove.co.uk

Saturday, 1 June 2019

Hollowstar, Florence Black, Matt Mitchell & The Coldhearts, Star & Garter, Manchester, 31.5.19 Live Review


Hollowstar, Florence Black, Matt Mitchell & The Coldhearts, The Star & Garter, Manchester, 31.5.19

As what seemed like the whole of the World descending on Manchester for the first of a run of nights for The Spice Girls at the Etihad, just around the corner a small band of real music aficionados chose to be at The Star & Garter for a night of what would be one to remember.

The venue was small, and bijou at best, and possibly (some) blood, definitely sweat, and some tears would be shed here this evening. More on the tears later...

The guys in attendance know a class act when they see one, as the upstairs room was almost full for Matt Mitchell & The Coldhearts. Matt (ex-Pride/Furyon/Colour of Noise) is the most experienced man on the bill, but sometimes you just have to start anew, dust yourself off and get on with it. His album dropped today and MM&TC came out fighting. The album is good, but the select songs chosen stand up a lot better played live as they are performed with a bit of added welly. Mitchell looks and sounds the part, and has surrounded himself with quality musicians. It was a case of hit ‘em hard with what little time you’ve got...’On and On’ is a good pacey opener, but ‘Black Diamonds’ gets the crowd bouncing (Literally, thanks to the floor in the venue!). Matt wails ‘I hope you find what you’re looking for’ and he is spot on. We did. ‘Kings & Queens’ is a summer song that should be on repeat on the radio, and ‘Unavailable’ showcases the heavier side of Mitchell. It was the fantastic ‘Home’, which did it for me, a number that showcases his and The Coldhearts talents and is his shining moment. It’s all over too soon with ‘Wave Goodbye’. Apt, and a great start. Form is temporary, class is permanent.



Where MM&TC was a composed and very good performance, Florence Black essentially ripped up the rulebook and are one of those bands that don’t care who precedes or follows. A three piece from South Wales they opened up with the Budgie classic ‘Breadfan’ and practically beat the audience into submission and levelled the Star & Garter. When the person next to you (Roger) leans into you and says ‘that was worth the admission alone’ you know you are onto something special. Me, I just had two words written down...’bloody awesome’. Its one of the best covers of any band I’ve ever heard, its that good. Like a Tasmanian Devil that’s been provoked with a pointy stick, Florence Black were taking no prisoners – ‘Fiesta’ is a pounding track that leaves you breathless, and in frontman and guitarist Tristan Thomas gives his lot, especially sweat. In fact, in Thomas, Perry Davies and Jordan Evans it’s like being in a 3-2-1 fight, the punches just keep coming and there’s nothing you can do about it. ‘Same Again’ is a song built on the foundations of Budgie and grunge and is a belting force of nature. ‘Gunshot’ originally features Benji Webbe of Skindred, and if anything for me is the weaker song of the set. A mix of Skindred and Disturbed, it doesn’t fit FB as much as the rest, and their own songs prove they don’t need endorsements or outside assistance. Finally its onto ‘Smoke’ and Florence Black finish as they started, with a wallop, and its a pleasure and delight to see these guys rip the place up. I think that had they reversed the set, and left ‘Breadfan’ until last, I think I’d have wet myself! 


Where FB had raw power, force and energy, Hollowstar are riding the coattails on the back of a very good debut album with some belting songs. Coming on to a strange, but nice intro in Massive Attacks ‘Teardrop’, before launching into album opener ‘Take It All’ and a twin guitar attack of Haines and Collett, Joe Bonson is the focal point and rightly so, with charm and substance and a voice to match. With Hollowstar is more about groove and feel, and ‘Down By The Water’ ‘Lay Down’ and ‘Guilty’ are as groove-laden as they come. ‘Invincible’ highlights the intensity of Hollowstar and is almost ‘Cult-like’ (The band). ‘Think Of Me’ is my fave track from the album and is even more Alter Bridge/Bad Company live and has a very infectious chorus. This was dedicated to Chris, who gave Jon a job booking gigs for Hollowstar who passed away before the Album was done. ‘Money’ was...er...bang on the money. ‘New Age Lullaby’ and ‘Feel The Burn’ show the bands roots, and their sharp progression over the last couple of years. 


There are a couple of heartfelt tributes to a pair of Hollowstar soldiers who have fallen along the way and deserve their mention. Chris, who gave Jon a employment to essentially book his own gigs for Hollowstar and is given ‘Think Of Me’ and the lads friend Carl who lost his fight to depression last year, in ‘Good Man Gone’, a rousing tribute. Both gents were given a rightful round of applause and at both points I had something in my eye. (As did others I expect.

Free’s ‘Wishing Well’ is up next and a staple of the Hollowstar set. Its more Moore (Gary) than Free’s version, and breaks their set up well for the final furlong. ‘Overrated’ is definitely not what Hollowstar are judging from tonight’s performance. The set is over all too quickly with ‘All I Gotta Say’ and was released a good year ago and whetted the appetite for the debut, and is a great song to finish the set. Its easy for bands to play a whole set of an album, but Hollowstar have a core of songs from this and their EP that will be a staple of sets hopefully for years to come. I sincerely hope all 3 bands tonight are here for the long run.



It was one of those nights that I’ll remember for quite some time. Catch them still while you can for one of the best and intimate gigs of 2019. And it wasn’t at The Etihad.



The result, Rock 1, The Spice Girls 0 

P.S. either the PA at the venue is shite, or the sound engineer was wearing mittens, or was a deaf as a post! All 3 vocalists sounded as if they were singing underwater at times. But rock is mainly about attitude, and thankfully the 3 bands had this in abundance. That aside, it was still a cracking gig, but could have been so much more, had the sound be decent.

Setlists

Matt Mitchell & The Coldhearts

On & On

Black Diamonds

Kings & Queens

Unavailable

Home

Wave Goodbye



Florence Black



Breadfan

The One

Fiesta

Ghost

The Ride

Same Again

Gunshot

Smoke



Hollowstar



Take It All

Down By The Water

Lay Down

Guilty

Invincible

Think Of Me

Money

Let You Down

New Age Lullaby

Feel The Burn

Wishing Well

Overrated

Sinner

Good Man Gone

All I Gotta Say



Saturday, 25 May 2019

BEXATRON’S SINGLE ‘I’M TRASH’ FROM ALBUM ‘HEY YOU!






London based glam rock artists are announcing the release of their new single ‘Trash’, soon to be accompanied by a video produced by MHG Music Videos.

‘Trash’ is the second release from their album ‘Hey You’ which launched in November 2018 with their first single ‘Dirty Disco’ receiving both critical acclaim and national radio rotation in the UK, Canada and US.

What began as a song with love as a theme, evolved into a hard-hitting track that speaks to what many now loathe, about modern society; the challenges of daily life, relationships both good and bad and the evils of manufacturing and multinational corporations. They all find their way into the trash and leave most of us trashed.

Bexatron have built a hard-core following of dedicated fans who celebrate the mix between the 80’s rock icons and the solid dose of post punk provocation.

Well known as a ’must see’ live band, their recordings lose none of the energy that they deliver on stage and their new single, ‘Trash’ will not disappoint.

“Certain aspects of London sub-culture make it hard to disassociate yourself from the certain stereo-types that come to mind, namely – leather jackets, exhaust fumes and grit. Seemingly, there is never going to be a time where street level society will become too elite for bands that champion themselves as bridging alternative attitude with high energy fun”Music News Today


LISTEN HERE


Album Listing
  • Out of My Tree
  • Dirty Disco
  • Co Co (I Should)
  • New York Doll
  • Subway Freaks
  • Mandy Meltdown
  • Take Me Back to Jo Jo’s
  • I’m Trash
  • Love and Distortion
  • Hex Your Ex
Show Dates
  • Saturday 27th April – Two Tibes Brewing Co. London
  • Friday May 24th – The Treatment at The Underworld, Camden –
  • Saturday 1st June – Camden Rocks Festival
  • Saturday June 22nd – Aktion Music Presents, The Finsbury, London
  • Wednesday 3rd July at Mavericks, Ottawa, ON - Canada
  • Friday 5th July at Rivoli, Canada
  • Saturday 24th August Jigsaw Festival , The Camden Assembly – London
  • Saturday 9th November at Amersham Arms

Saturday, 18 May 2019

Crazy Lixx - 'Forever Wild' Album Review


Swedish Hard Rock / Hair Metal band Crazy Lixx carries the torch of Rock ‘n’ Roll with pride. Formed in 2002, the band has been enthralling crowds with their unique brand of 80’s Hard Rock. Noted as one of the last standing bands of ‘The New Wave of Swedish Sleaze’, Crazy Lixx are pioneers of Sweden’s rock music scene in their own right. With over a decade of experience and several line-up changes, the band has under their belt five full-length studio albums and one live album including “New Religion” (2010), “Riot Avenue” (2012) and “Sound Of The LIVE Minority”(2016). Crazy Lixx’s most recent and fifth studio album “Ruff Justice” (2017) comprises of 10-tracks, three of which are featured soundtracks for the hit video game “Friday the 13th – The Game”. Rendering the pure nostalgia of 80’s classic horror and action themes, “Ruff Justice” packed with impressive guitar solos, memorable hooks and catchy choruses, big drums and defining riffs became an instant Hair Metal masterpiece.Influenced by Rock giants such as Kiss, Def Leppard, Mötley Crüe, Whitesnake, Alice Cooper and Bon Jovi, the band etched their signature style. Bridging a lasting connection with old and new audiences alike, the band continues to produce energetic live performances across Europe. 

Crazy Lixx are back and believe me when I say these guys mean business, I mean it,Forever Wild is the follow up to 2017s Ruff Justice and what a follow up it is. 
 
This is an album that will have the older generation of rockers donning their double denim and ill fitting spandex once again. Forever Wild not only grabs you by the balls it squeezes them until you hit the same high notes that Danny Rexon does on a regular basis. Danny Rexon and Chris Laney have produced an album of anthemic masterpieces.  

When listening to this opus make sure that every window and door in your home is open and the volume of you music system is cranked loud enough to make your ears bleed and annoy the hell out of the neighbours, to be honest they would probably come round hammering on your door to join for  a beer because you’ve introduced them to such high quality music.

I absolutely love this album and have had it playing constantly for the last few hours and it is as close to perfect as an album can be without reaching that lofty pinnacle. I think if I had listened to this album on any other day it would have had the very rare 10/10 score, that said if you’re a fan of the 80-90’s hard rock scene get yourself online or into a record store and buy this beast, you will not regret it.

 I am giving Forever Wild a well deserved..... 

9.5/10

Review by Hollywood Vampyre

Tracklist:
  1. Wicked
  2. Break Out
  3. Silent Thunder
  4. (She's Wearing) Yesterday's Face
  5. Eagle
  6. Terminal Velocity
  7. It's You
  8. Love Don't Live Here Anymore
  9. Weekend Lover
  10. Never Die (Forever Wild)
Line-up:
Danny Rexon  vocals
Joél Cirera - drums
Jens Sjöholm  bass guitar
Chrisse Olsson - guitar
Jens Lundgren - guitar

Friday, 3 May 2019

Nötorious - 'Seducer' EP Review


NOTÖRIOUS – Seducer EP

NOTÖRIOUS are located around Bergen, Norway. The bands PR bumf states that “The band was formed in the beginning of 2018 with the intention to bring back to life the classic sound of the hard rock/glam metal bands that ruled the Sunset Strip back in the early 1980s. The band is inspired by classic groups like Mötley Crüe, Van Halen, Yngwie Malmsteen’s Rising Force, Europe, Scorpions, Skid Row and Poison.” I’m going to add Love Fist to that list.



Well….bloody hell! I’ve banged on about up and coming bands doing their homework if they are setting out their stall for a genre that had its heyday with the advent of MTV and was all but dead by 1991. I’m talking about hair/glam metal. Anyway, Notorious have definitely done their homework. Ok, so the sound isn’t original, but what they have done is pretty much knocked this EP out of the park. All the fore-mentioned bands are present and that in itself is great.

Right from the opening riff of ‘Nötorious’ I’m salivating at the prospect of what is to come, and ho-lee-shit these Norwegian metallers do not let me down. I’ve probably got gig tees older than these guys, but they live and breathe hair metal to the core. The riff is superb, the chorus catchy, and the guitar solo from Nikki DeCato is everything you want it to be. Chris Houdini on Vocals hits all the right notes, and its rhythm section just powers it along. (I’m guessing the lads are using pseudonyms!)



‘Friday Night (Get Ready)’ is early era Mötley Crüe only with better vocals, and having Yngwie on guitar. ‘Seducer’ sounds as if The Cult had a threesome with Ratt and Dokken, and the outcome is this! ‘Have A Good Time’ is the first song that’s not as up to the standard of the others, and it’s a bit of a plodder, but that’s only because they started off so well. Final track ‘Tonight (Gonna Get It)’ is a leaf out of Vinnie Vincent’s Invasion, like ‘Boyz Are Gonna Rock’. It’s a great closer.

Considering this genre was THE ONE to beat in the 80s, lots of bands have tried, and failed to match up to the hedonistic sound of glam metal. Even bands that were the glam forerunners haven’t written songs as good as they did back in the day. I’m not saying that Nötorious have written 80s worthy anthems, but what they have done is epitomise the sound of glam metal, and as far as the last few years have gone, Notorious make for one hell of a promising career. UK festivals take notice, as Nötorious are going to level your stages, take your girlfriends, and leave you begging for mercy!



All they have to do next is come up with enough songs for an album, perfect the Scorpions pyramid, piss against the walls of The Alamo, and they are admitted to the glam rock alumni.



The production is meaty, beefy, big and (you guessed it), bouncy!



One for glam metal purists, and the V-Rock generation. Plus, any band that has umlauts in its name, gets my vote!


Score 28 out of 331/3 (or 8.5/10)
Review by Paul Chesworth

The band consists of:
Chris Hoüdini – lead vocals
Nikki DiCato – guitar/backing vocals
Andy Sweet – bass/backing vocals
Freddy Kixx – drums


Link to their music:
Youtube:
https://www.youtube.com/channel/UCQK1tnXzBf9OugOA2FRwz1g

Spotify:
https://open.spotify.com/artist/3tWDNG6WIlioWYh01xHWJ1?si=CsQ2ZniTTsma8ItLAs7WSQ
Facebook: @notoriousbandofficial

Wednesday, 1 May 2019

Hollowstar - 'S/T' Album Review


Hollowstar – S/T

I’ve been looking forward to receiving this album for a while now. I’ve seen some clips of them appearing at a friends venue ‘dahn sarf’, The Rock Den in Hatfield. Check it out, its great.

Anyway after the clips were posted I stumped up for one of the many bundles on offer, I was (am) that confident in their ability to deliver the goods. Hollowstar cite the likes of Black Stone Cherry, Thunder and Slash as influences. They formed in 2014 in the metal hotbed town of St.Ives in Cambridgeshire. Not so much of a hot bed, more like a warming plate. 2017 saw them release their debit EP ‘Some Things Matter’. They have built a burgeoning following due to this EP and some serious graft and getting support slots with the likes of Stone Broken, Toseland, Dan Reed Network and Graham Bonnet, and many more!

Straight out of the box Hollowstar are onto something rather special. ‘Take it All’ is built around a stonking, and spine tingling riff and you’re hoping for it to punch you right between the eyes and ears, and does so by the bucketload.  It’s a big, fat sound that belies its cost I suspect. ‘Let You Down’ is a bit less powerful, bit still provides ‘oomph’ and bang for your buck. ‘Invincible’ sees the twin guitar attack of Haines and Collett in full swing, and it delivers. ‘Think Of Me’ falls into an Alter Bridge / Bad Company groove, if Paul Rodgers fronted AB! ‘Money’ is about the guitar sound more than the vocals and is very Red Sun Rising. ‘All I Gotta Say’ is getting on for its birthday, and was an excellent choice for whetting the appetite for this album. Its got a cracking chorus, and has riffs as thunderous as Thor’s Led Zep tribute band, Hammer Of The Gods!

‘Good Man Gone’ is more classic rock old school brigade, and shows their love of 70s rock when Coverdale was king, Blackmore had hair, and Keith Moon lost his no claims driving his Rolls into a swimming pool. ‘Overrated’ is built on a riff that many have used before, and Hollowstar make it work here, especially as it builds to a high-octane guitar solo. ‘Down By The Water’ is a ‘big’ song and shows off Joe Bonson’s vocals. Its quickly onto the last track ‘Sinner’, a full on track that is a perfect way to finish off the album.

I'm guessing these guys don’t have a shit load of money, so its full testament to whoever produced this, as it sounds as if its had someone like Martin Birch at the helm. Its not a long album for album sake, the lads have gone for quality over quantity. Hollowstar are one of the best new(ish) UK bands I’ve heard in quite some time. It may not be long before newer bands are citing Hollowstar as their influences.

There are a lot of wannabees currently out there, all trying to be another Rival Sons, or Led Zep, Lynyrd Skynyrd, etc. These guys have the potential to be the real deal.  It's an impressive debut.  As Diamond Dave would put it, these guys have ‘Car-asma’

Catch these guys live in May, when these songs will really come to life. And before the venues sell out!

Score 27 out of 33 1/3   (8/10 for purists!)

Tracklisting
Take It All
Let You Down
Invincible
Think Of Me
Money
All I Gotta Say
Good Man Gone
Overrated
Down By The Water
Sinner

Hollowstar are
Joe Bonson – Vocals / Bass
Phil Haines – Guitar / Backing Vocals
Tom Collett – Guitar
Jack Bonson - Drums

Saturday, 27 April 2019

Tillian - 'Lotus Graveyard' Album Review


Tillian – Lotus Graveyard

Tillian is a female fronted prog-rock band from Tel-Aviv, Israel. Influenced by artists such as Kate Bush, Pain of Salvation and Ayreon, singer-songwriter Leah Marcu likes to set her stall very high when it comes to influences!! Their journey began in 2014 when Leah Marcu started writing and composing a solo album around the concept of alchemical transformations of the self (!?). She drew from her personal well as well as her background in psychology and mysticism. She explored a cycle of inner progressions; Love to pain; pain to beauty; beauty to spirit and spirit to love. I personally am not a great interpreter of lyrics, I just like to know if it makes me get excited and play air guitar etc.

Working with Orphaned Land and Amaseffer’s producer, Forrester Savell, the music began to crystalize into Tillian's debut album. It soon progressed into a band of 7. From a first listen, it may be a band, but it is all very much in the name of Leah Marcu.

Opener, ‘Reborn’ is almost out of the Opeth Damnation playbook! It  teases you with its opening salvo, the listener not certain of which way its going to go. Ill break it to you, its mellow, but not to the point of boring the arse off you. Almost immediately, you can tell is Leah’s show. She is surround by some consummate professionals, but its Leah who is up front and centre. It builds to a good guitar solo, where I wanted it to build into a much heavier and darker song. ‘Touched’ is a song of two halves, and it’s the latter half that pushes the (heavier) envelope a bit more. ‘Frozen Sun’ is more like it. Tillian go for it a lot more, with some powerful drumming pushing it along and a bit more ‘oomph’ from Marcu is definitely the way to go. The best song so far by a mile. (Or kilometer if you’re European). ‘I’m Too Close’ is cello driven in the first part, before expanding and busting out of her chrysalis.

‘Monster’s’ riff is straight out of the 80s, and once again, I am drawn to the powerful side of the personality. And with lyrics like ‘you really fucked me over’, you know you’re not expecting a ballad, but it segues into flamenco in the middle /latter section. ‘Moonlight Dancer’ is the first song that draws musically from their middle eastern roots. It sounds like a soundtrack song that would accompany a market scene or Kasbah. ‘Black Holes’ enter Myrath mode and really push the Middle Eastern sound. Again, you are unsure of where you are about to be led, but its nice not knowing. Its very theatrical, as if it were in a musical, and is part storytelling, anthemic, with a good chorus, and is very good. It’s a song that tells of a dance with an inner demon and the need to find hope through personal struggle; I don’t think it knows what it quite wants to be, but that’s part of the fun. It’s a song that deserves multiple listens. ‘Caught In Your Slough’ is a strange title and lets leave it at that. An intro effectively to ‘The Beggar’, a song that has a lot of emotion to it. Marcu certainly knows how to put herself across.

‘Love or Heaven’ sees Tillian go for the jugular, with some dark vocals underlying Marcu’s. It’s the big song on ‘Lotus Graveyard’ time-wise and musically, bordering of death metal almost. Its this direction in particular I would like to see (and hear) Marcu explore in future. Not the grunting, just the sheer heaviness of it. ‘Finally we are onto ‘Earth Walker’, cello and piano driven, and is here they go all Kate Bush on you. Its eerie, haunting, and equally lovely. It’s a good way to end the album.


Leah certainly works it all to her strengths. She is a good songwriter and decent singer. I wanted her to push herself a bit more and take it up a notch, if it is possible for her to do so? That said, I was very satisfied come the end of the album.

Some of ‘Lotus Graveyard’ can be a bit all over the place. It’s not a criticism, I just think its Marcu trying to find her feet and find a direction. The clue was in the influences at the beginning of the review. Expect the unexpected if you draw from Bush, Gildenlow and Lucassen!!!


It’s a very decent debut from a very accomplished woman. Personally I preferred the heavier side on songs like Frozen Sun, Monster, Black Holes, and Love Or Heaven. Although the downright passion of Earth Walker, was spellbinding. There’s certainly a lot of  style and substance, and a lot to take in here.

27 out of  33 1/3  or 8/10!

Tillian are

Leah Marcu – Lead Vocals
Alexandra Marcu – Cello & Vocals
Inbal Rosenhouse – Keyboard & Vocals
Opher Vishnia – Guitar & Vocals
Yaron Gilad – Guitar
Alon Shulman – Bass & Vocals
Gil Idan – Drums

Tracklisting
Reborn
Touched
Frozen Sun
I’m Too Close
Monster
Moonlight Dancer
Black Holes
Caught In Your Slough
The Beggar
Love Or heaven
Earth Walker


Wednesday, 24 April 2019

Hardline - 'Life' Album Review

Hardline - 'Life'

I’ve been a fan of Hardline since hearing the track 'Can’t Find My Way' during the Brandon Lee movie 'Rapid Fire', I went out and bought 'Double Eclipse' the following day. Some 27 years have passed since that album and now Johnny and the gang are back with their new album, simply called 'Life'.
The first play through of this album had me looking for ripped jeans, a bandana and a trusty bud bottle to use as my mic, it was a sheer blast from the past and I loved it. I have all of Hardline’s albums and in my opinion they never reached the quality of 'Double Eclipse' again......until now that is.
'Place To Call Home' is a fantastic opener, well structured with excellent harmonies and hooks this is a song that you need to play loud, whether you’re in a car or in the house open the windows and let everybody hear. 'Take A Chance' is a decent track, it’s not the fastest paced track but it’s extremely well layered with the thundering bass line and guitars melding perfectly, this is a song that all Hardline fans will enjoy listening and singing along to. 'Helios Sun' had me going from the first chord, fast paced with a driving beat that had my feet pounding along in time which made typing quite hard. I’m sure I annoyed the neighbours with this song as I played it so many times, definitely one of the highlights of the album for me.

'Page Of Your 'is the first ballad on the album with a soulful piano opening leading into a guitar laden power ballad that Hardline are so adept at producing , it’s definitely a song that will have people with their phones lit up swaying backwards and forwards trying to reach the stars. 'Out Of Time' sets off at a blistering pace that is relentless and is an almost perfect song except for a slight tempo change at 2.36 that just felt out of place, up until that point the song flowed beautifully and would have been my pick of the bunch if it wasn’t that change. 'Hold On To Right' with a solid hard rock opening this track had the potential to be a true gem sadly whilst I usually love hearing guitar work as good as this I felt it became a little bit self indulgent which took a bit of shine off the track.

I loved the opening of 'Handful Of Sand', and speaking of the quality that was about to become, it did not disappoint. It is a beautifully composed song that should be playing on radio stations around the world. 'This Love' is the second true ballad of the album the band utilized a piano opening again,the problem with some rock ballads is that it doesn’t matter how good a band is more often than not they sound similar to many bands of the same genre. 'Story Of My Life' comes blasting out of the start gates and tears along at a nice uptempo pace and I must admit that at times it reminded me of 'Hot Cherie' from 'Double Eclipse' and it also my favourite song on this album.
Of all the Queen songs to cover I thought that 'Who Wants To Live Forever' would be a mistake, but it was me who was mistaken. While Johnny never quite reached the pitch Freddie Mercury did he did himself proud and can hold his head up high for successfully taking on one of in my opinion Queens best songs.

'Chameleon' started of slowly and built up to a steady mid tempo rocker, it has the kind of rhythm that will get people out of their seats and have them punching the air while trying to drunkenly remember the words. 'My Friend', the closer is another ballad. However this is an entirely acoustic/semi-acoustic number which sets it apart from the majority of ballads, there are no soaring vocals or power chords and is the perfect kind of song to finish an album of this high quality.
Hardline's latest offering 'Life' does have it’s flaws but they are few and far between and they don’t affect the overall quality of the album and in my opinion is the best that they’ve released since 'Double Eclipse' way back in 1992, and proves that there is plenty of Life left in this band yet.
I highly recommend spending your hard earned money on this album you won’t be disappointed.
Score 30 out of 33 1/3
Review by Hollywood Vampyre

Hardline are
Johnny Gioeli - Vocals
Alessandro Del Vecchio - Keyboards
Mario Percudani - Guitar
Marco Di Salvia - Drums
Anna Portalupi - Bass

Tracklisting
Place To Call Home  
Take A Chance  
Helios Sun  
Page Of Your Life  
Out Of Time  
Hold On To Right  
Handful Of Sand  
This Love  
Story Of My Life  
Who Wants To Live Forever  
Chameleon  
My Friend  

Pre-Order CD / Vinyl:  http://radi.al/HardlineLife

Website:  www.hardlinerocks.com
Facebook:  www.facebook.com/hardlinerocks
www.facebook.com/johnnygioeliofficial
Instagram:  www.instagram.com/hardlinerocks


 

Thursday, 11 April 2019

Matt Mitchell & The Coldhearts - 'S/T' Album Review

Matt Mitchell & The Coldhearts

British Singer / Song writer Matt Mitchell (PRIDE / FURYON / COLOUR OF NOISE) has recently had the chance to embark on the journey of recording his long awaited debut solo record. Matt started out singing and writing songs in his late teens learning his craft in several bands early on, he then found himself as the voice of AOR band PRIDE who released two albums in the mid 2000’s on EMI Toshiba / Pointmusic.

FURYON was Matt's next project. Formed out of the demise of PRIDE a heavier style evolved, with much love and praise from the likes of CLASSIC ROCK & METAL HAMMER magazines.The band had a great run touring UK/Europe and performed at several major festivals including DOWNLOAD, BLOODSTOCK and Poland’s gigantic WOODSTOCK festival.

Not long after the release of the second album the band was put on ice so that the band members could spend more time song writing and considering their future.

At this point Matt joined LITTLE ANGELS guitarist Bruce John Dickinson forming the much lighter bluesy sounding COLOUR OF NOISE. A good two year run was had with the band. An album was released, followed by lots of touring and yet more major festival slots. COLOUR OF NOISE were to leave things on a high in 2017 and with one door closing another soon opened in the shape of Matt's solo project with guest players - MATT MITCHELL & THE COLDHEARTS.

"I’m aware that sometimes an album is just for the love of rock n roll and I do love that. It’s on my agenda", explains Matt. "It could be a song about a car, or thunder and lighting. However, the main stories on this album are all about people. The people that have been part of my life, the people that have loved, cared, nurtured, hurt, inspired, broken, stayed strong, lost themselves, found themselves. Family, friends, honesty, dishonesty, music and the music business, integrity and faith. The songs in this self-titled album are inspired by all these things.’’

Opener ‘Black Diamonds’ is a great choice to kick off the album, and has a nice swagger and feel to it. I was sold as soon as I heard the Hammond! Mitchells vocals sit very nicely without overdoing anything. The balance of riff to vocal ratio is very nice!! The room would be bouncing when played live. When you think you have someone sussed, up comes ‘Home’ with its jingly-jangly guitar and is the yang to Black Diamonds ying! Already two songs in, you know you’re in for a ride.

‘On and On’ almost has an (almost) Bryan Ferry ‘In Crowd’ riff, before another lovely Hammond solo. ‘Dare You To Watch’ is again different and a bit more laid back, but is not lacking in punch. Mitchell is so far showing he has a lot of strings to his bow and is not to be typecast. ‘Kings & Queens’ is proof positive of this, its more poppy than rock, but hits a spot. ‘Unavailable’ goes heavier and is one of the big highlights so far. ‘Do You Wanna Be My God’ could be a cast iron hit in MTV America, but these days are unfortunately a long way gone. ‘Old Enough And Ugly Enough’ is very Tom Petty, and proves to be a good laid back ballad. ‘Everything To You’ has a definite U2 guitar sound to it, and ‘Keep Me Safe’ has a languid and country sound, with some nice lap steel guitar.  Finally its ‘Waiting For The Sun’ sets its sights on a big finish and achieves it. 


There a lot of lighter songs on offer, and I personally prefer the heavier side of Matts personality - ‘Wave Goodbye,’ ‘Unavailable’, ‘Black Diamonds’ in particular

That said, Matt has conjoured up a nice eclectic mix of songs and is not typecast into a certain set style. It’s the kind of album that you can have a favourite song from any of these, on any given day, depending on your mood and feeling. That in itself is a great thing.

SCORE - 8/10

Tracklisting
Black Diamonds
Home 
On & On
Dare You To Watch
Kings & Queens
Unavailable
Do You Wanna Be My God
Old Enough & Ugly Enough
Wave Goodbye
Everything To You
Keep Me Safe
Waiting For The Sun

Matt Mitchell & The Coldhearts are
Matt Mitchell – Vocals & Guitar
Mauro Laconi – Guitars
Dom Ladd – Bass
Matt Cherry – Drums
Stevie watts – Keys


Connect with Matt Mitchell & The Coldhearts:
Official Website: http://www.mattmitchellmusic.com/
Facebook: https://www.facebook.com/mmitchellmusic/
Twitter: https://twitter.com/mmitchellonline
Instagram: https://www.instagram.com/mmitchellmusic/